Tori Amos :: essays papers

Tori Amos frame Tori Amos And Her ArchetypesThe lyrics of Tori Amos are some of the most intricate in musictoday. They extend the primary focus of her dedicated fans, as wellas her detractors, notwithstanding the medias fixation on her past history ofrape and abuse. They are complicated on many levels, and Tori Amoslyrics demand a mythological approach to chump the surface of herartistic vision. In several interviews, she has admitted to being muchinfluenced by numerous books of symbology and others of Jungianpsychology and their first insights. I dont fall in jockey much.I mean, I fall in love every(prenominal) five seconds with something but I dont gofrom boy to boy. I go from archetype to archetype (Rogers 33). Mostdominantly, her lyrics rely on concept of the archetypal woman in allof her aspects. Motifs of creation and destruction are as wellrepresented in her work. Her topicls of balance for herself andfemininity in general direct propelled her into stardom her uses ofarchetypes have led the way.The allusions to Christian mythology and obscure characters in Father equal delve deeper than the casual listener may recognize. EvenToriphiles, her avid fans equivalent to affectionately refer to themselves inthis way, are pushed to the edge of their comprehension in attemptingto come up with a meaning for every image. Applying a censoriousmythological approach works best with Father monsters imagerybecause the archetypes linger skillful below the surface. The title of thissong aids the audience in being competent to place the situation -as doesthe songs tranquil melody the speaker system treats the Lucifer characterwith compassion and appreciation. Lucifer represents more than justthe idea of the Christian Devil he is the Jungian shadow. The shadowis the invisible saurian tail that man still drags behind him (Guerin180). He is not foreign other symbolic representations of thisarchetype in literature, namely Miltons Satan. Father Luciferbegins with questions and infe rences from the speaker that seemencouraging Tell me that youre still in love with that Milkmaid/hows the Lizzies/ hows your Jesus Christ been hanging (Amos, Boysfor Pele). Toriphiles and new listeners alike dexterity concede thatpicking out who or what the Lizzies are is a scare away task. It isclear that they represent something and that their connection is morethan likely appropriate, however, the reference is just not available.Who the Milkmaid may be remains another reference on the same crypticplane. We might just be able to expect that the Milkmaid was simply a