John Dryden: England’s Controversial and Exceptional Genius

keister Dryden was Englands closely outstanding and disputed generator for the later part of the seventeenth century, dominating the literary domain of a function as a skilled and versatile dramatist, a pi iodiner of literary connoisseurism, and a respected importr of the Restoration conclusion. With Drydens smashing literary and overcritical influence on the slope society during the Restoration period he has make a name for himself, which will be analyse and honored for courses to come. can Dryden was born in Northamptonshire, in 1631. His p atomic number 18nts were Erasmus Dryden and bloody shame Pickery. They were both from wealthy and respected families in Northamptonshire.The Drydens were comen for wisdom and cracking tradition all over England and were well-equipped with large estates and vast lands (Ward 5). Drydens father, Erasmus, was a justice of the peace during the usurpation, and was the father of 4teen children four sons, and ten daughters. The sons we re can buoy, Erasmus, Henry, and throng the daughters were Agness, Rose, Lucy, Mary, Martha, Elizabeth, Hester, Hannah, Abigail, and France (Kinsley 34). Dryden was too a religious populace. He had as much theology in the Lord as he did in his pen. He belonged to the perform of England all his life until converting to Catholicism due to the change of the throne.He was baptised at on the whole Saints Church in Aldwinule, Northamptonshire ten days by and by his birth (Hopkins 75). Dryden, growing into a young man, began his education in his hometown. in that respect he took the introductory naval divisiones. He furthered his education at Westminister School in London. Here, he att fetch uped school for about twelve hours a day, rootage and ending at six. At Westminister he studied history, geography, and study of the Scripture, overconfident all the basics. After Westminister he Cunningham 2 attended Cambridge University (Hopkins 14). While attending Cambridge Univers ity, he excelled to the top of his class and was a standout student. bath Dryden was the superior and close represented English man of letters of the last quarter of the seventeenth century. From the death of Milton in 1674 to his own in 1700, no other sparer can compare with him in versatility and power (Sherwood 39). He was in item a versatile generator, with his literary run aways consisted of tragedy, comedy, heroic play, opera, poetry, and satire. Although he did write most of his important original poems to serve some passing policy-making purpose, he made them immortal by his literary genius (Miner 3). John Dryden was the type of man who was always busy with some great project.He would neer put full sentence and concentration into his work. He would chop-chop finish a project, careless of perfection, and hurry off to begin a nonher, which was not a tempting deal on either the authors side nor the readers side because Dryden lived in a time where there were few well- printed works (Hopkins 1). So much of his work consisted of many errors, misprints, and lost pages. Several critics have attempted to revise and adjust his work scarcely usually for the worse ( Harth 3). Despite his popularity during the Restoration and even today, weensy is known about John Dryden except what is in his works.Because he wrote from the starting time done the end of the Restoration period, many literary scholars consider the end of the Restoration period to have occurred with Drydens death in 1700 (Miner 2). hold out Dryden was his wife Lady Elizabeth and there were third sons, to whom he had always been a loving and careful father. John, his oldest son, followed his father in death only three years later in April of 1700. His wife, the Widow of a poet, died shortly subsequently his death in the summer of 1714 at the age of 78 (Bredvold 314). Dryden sure attained his goal of popularity especially afterwards his death.He became this Cunningham 3 through his achievements in verse translations, the maiden English author to depend for a livelihood directly on the reading familiar and opening the next of profitable careers for great novelists during the next two centuries (Frost 17). The Restoration period was a time of great literature and outstanding writers, scarce, with all the talent in this century, there were similarly many problems. The Restoration was an angry time in literary history. Writers threw harsh blows at one another, not with fists but with report card and ink.It was an age of plots, oaths, vows and tests they were woven into the fabric of everyday life, and hardly a soulfulness in England escaped being touched by them (Hammond 131). During this time he wrote about what was going on in life activities quite a good deal in his work. At this time there was a major strife over the conversion from Protestantism to Roman Catholicism. Drydens church was in a strange and uncomfortable position. Since the time of the R estoration it had been an underground organization because it was regarded as the enemy of the English monarchy.Some of the peniss have been accused, and others falsely accused, of setting plots against the crest (Hopkins 85). In 1663, Dryden, under the cloud of some personal disgrace, married Sir Robert Howards sister, Lady Elizabeth. The marriage provided no financial advantages or much compatibility for the couple, but Dryden did gain some social status because of her nobility. Because of his social success, Dryden was made a member of the Royal Society that same year. Since he was a non-participating member and did not pay his dues, his membership was later revoked.In 1664, he wrote a poem honoring his brother-in-law, Sir Robert Howard, with whom Dryden remained involved personally and professionally for some time. In 1668, he was Cunningham 4 named Poet Laureate and was offered a share in the playing field Royals profits in exchange for his plays. This is where he pull in a large portion of his income, and ensured his financial stability for the next several(prenominal) years. However, in 1689 when William and Mary took the throne they replaced John Dryden, a Catholic and made doubting Thomas Shadwell, a Protestant, the new Poet Laureate (Verrall 6).John Dryden was a poet for about forty years. He was formally known as a public poet because a great amount of his poetry dealt with public issues (Harth 3). The explanation for Drydens late development as a poet was due to the simple item that he had nothing to say. In Drydens poems, the descriptions he gave avoided unique, concrete expound he preferred general hurt. When he exposit men and women, he gave his attention to moral qualities, not physical demeanor. He usually laud the lower social class and put the upper social class in a shadow (Sherwood 7). worldy of Drydens poems were congested with stamp errors and misspelled words, although, the reasons for this were not totally his fault. There w as not a great printing process process during this time and many careless mistakes in printing were caused by neglectful workers (Sargeant 10). John Dryden is a poet who left a firm picture gift of his character in this world he is known as a public figure, respected literary critic, popular dramatist, and strong supporter of religion and politics (Salvaggio 13). Drydens poetry has been divided into two time periods of his career.The first was during the Restoration period and ended in 1667. He did not write another poem for fourteen years during this time he was musical composition plays and critiques. The second period began during the later part of his life and ended in 1681 (Harth 3). Some of Drydens to a greater extent popular poems The Cock and the Fox, All For Love, Antony and Cleopatra, Absalom and Achitophal, and his most famous Mac Cunningham 5 Flecknoe. In the poem All For Love, it portrays the extol story between Cleopatra, the breath-taking, beautiful, Queen of t he Nile and her lover Antony.He also knew that when piece of writing this poem it would be nothing new to the poetic world (Dryden 14). All For Love is a pale, beautiful play. The theme All For Love was meant to be that punishment inexorably follows vice and illicit love. Actually, the motivation of the play is a conflict between reason and passion, and it is this conflict that makes All For Love truly representative of the Restoration Period and the battle of ideas that settled beneath (Dryden 25). The greatest of his poems was Absalom and Achitophel. He wrote this while he was Poet Laureate, the national poet of a country (Hopkins 5).In this poem he described a political predicament that is described by characters from the Bible. He uses a vast amount of symbolism in the story. Absalom and Architophel represents his lifelong affinity for seeing the present in terms of the yesteryear (Miner 15). One of his most famous poems is Mac Flecknoe. He destroys Thomas Shadwell by takin g very crude and harsh blows on the man. However, Dryden refers to Shadwells appearance to only imply that he is fat A Ton of Man in thy Large bulk is writ, but sure thort but a kildrekin of wit (Sherwood 7).There is nobody of English criticism that is much(prenominal) alive, that brings readers more directly into contact with literature, than John Dryden. One can never predict what will arise with Drydens criticism, but it will be far more promising than any other (Mc Henry 25). John Dryden is known as the father of English Criticism (Osborn 136). But, other studies and opinions show that his critical writings are known to quite often derivative, self-contradictory, rambling, inexact, at times over-specialized, and at others too sweeping (Hopkins 137).Cunningham 6 Drydens soonest critical essay was compose in 1664, about his first verse play, The Rival Ladies. From this date until his death in 1700, Dryden scarcely passed a year without writing a preface, an essay, a discourse, a literary biography or some piece of criticism (Osborn 179). His criticism has not been viewed in the correct ways in some cases. It has often been praised for its minor virtues, and too micro admired for its major ones. His criticism is great in contrast as well as in style (Hammond 179).John Drydens critical qualities are handsome ones, preferable to most. He has confidence in his basic assumptions and more gracefully within his tradition. Another great strength of his, is that he plays example against theory and theory against example Dryden also possesses many more admiring qualities (Hammond 5). As a well-respected critic as he is Dryden has a array of telling what he is thinking at the time of composition. His prefaces and prologues have the pure tone of studio talk in which the artist speaks of what he has tried to do and how he has done better, or worse, than others.He gives his views at the time, he whitethorn have different views at other times that are more educated, but he gives the views which engage him at the moment (McHenry 39). Criticism of Dryden in the half-century following his death is sparse, and contributions from the major men of letters are disappointingly casual and undeveloped. However, most wishly the best criticism of Dryden during the period after his demise comes from Dennis, Congerer, and Garth. There is passion as well as discernment in Denniss remarks for Drydens poetry (Bredvold 14).He is a critic more than a theorist, meaning he judges poetry thoughtfully by talking incomparably well about the poetry. However, he also likes to think and to speak of his thinking to explore and mediate literary principles. John Dryden wrote with ease and at times carelessly, but he knew where he stood (Hammond 1). Cunningham 7 His poetry was often seen as a pure, rich, metrical energy, and formally meet to the genre. It is throughout its whole range, alive with a special kind of speck (Osborn 181). John Dryden was engaged in literary controversy his entire literary career and life.He feuded with famous writers such as Sir Robert Howard, Thomas Shadwell, Andrew Marvell, Thomas Rymar, and many others. Shadwell was the most unfortunate foe of them all. If he had never quarreled with Dryden he would not have been known today as one of the four great comic playwrights of the Restoration period (Dryden 1). Shadwells and Drydens literary quarrel developed by the means of critical comments in prologues, epilogues, prefaces, and dedications written between 1668 and 1678. Drydens Mac Flecknoe was a major issue in the dispute between Dryden and Shadwell (Dryden 4).In Mac Flecknoe, Shadwells memory is kept alive, but has also been branded forever as horrible writer and a disgrace to the history of English writers. Mac Flecknoe is Drydens most delightful poem. It reveals Drydens great writing talents as poet and satirist. As he accuses Shadwell of borrowing from other authors. He also indicted Shadwell of consistently stea ling, but the charges were also greatly exaggerated. However, Dryden admitted that he was guilty of borrowing from other authors, but he also mentioned that Charles II said that he wished those incriminated for stealing would steal plays like Drydens (Dryden 18).At some point Shadwell had got on good terms with Dryden, good enough at least for Dryden to provide the prologue to one of Shadwells plays. It might have been the prologue the others, but still it served as a prologue to one of Shadwells. They had to have developed some sort of friendship or came to know each other. Then something happened and the time for reconciliation had passed. In the same year in which he wrote that prologue for Shadwell he also wrote Mac Flecknoe to put an Cunningham 8 end to the feuding, and Shadwell became the unforgiven butt of his ridicule (McHenry 47).Dryden was an exceptional author that just did not make as big as others. His literary reputation suffers greatly from the simple fact that not ma ny know of him. He is the man who wrote Absalom and Architophel, Mac Flecknoe, and who precedes Pope. He wrote not only great satirical, but great love poems, great political poems, and great religious poems. Beyond those poems he wrote many great passages of poetry. He wrote an astounding amount of good poetry, probably more than any other poet in the language except Shakespeare and Milton (Hammond 67).The English author John Dryden called himself Neander, the new man, in his Essay of Dramatic Poesy, and implied that he was a spokesman for the concerns of his generation and the embodiment of its tastes. He achieved a hump that supported his claim. Dryden excelled in comedy, heroic tragedy, verse satire, translation, and literary criticism genres that his propagation and later readers have defined as representative of the Restoration period. John Drydens lasting legacy will be defined by his unequaled, excellent criticisms of literature and his outstanding poetry.He developed the model for young English prose style and set the tone for 18th century English poetry. His memorable works helped influence much of the writings that come from England to this day. Translations are another major reason why people will take to be Dryden. He took authors from previous eras works and interpreted them into something superior and moved them to a greatness previously believed unattainable. His considerable accomplishments assured Drydens place in literary history and, through their influence on such writers as Alexander Pope, determined the course of literary history for the next generation.